A friend once called me a ‘crush-a-holic”. When I incredulously asked what she meant, she said “you crush on everyone ALL the time!” In defense, I said not everyone: artists mostly. And not forever. “Yes”, she said- “that’s why they call them crushes.” 🙂
Ok, I do tend to crush on visual artists, or their art. And dancers. And performers, especially drummers and bass players. And pretty much anyone who shows mastery of their creative trade in a public setting. Since I can’t draw a straight line, my longest running crushes are on visual artists. Writing a song or score- no problem- but sculpture, painting, life drawing seem mystery skills; to be around experts makes me SpongeBob giddy. Evidence of artist crushes I’ve shown on this blog previously are here. And here.
So, I’ve decided to add a category of new posts called “Artist’s Crush”. It will feature Artists doing almost any creative endeavor that is hopelessly crush worthy, and will include folks making art beads whose work inspires fun, finished jewelry. 😉
So, I have mentioned lots of artbead artists on this blog before, but in this new forum- I hope to delve deeper; interview them and find out some cool day-in-the-studio wisdom. For now- the artist who’s work is inspiring mine is- Charlene at Black Mud Studios. And though I haven’t interviewed her yet, I wanted to share a recent challenge she gave me.
I’ve been working with her stoneware pendants for sometime. Charlene and her studio are in Ontario, Canada. Her pendants are sizable, beautiful with unusual detail, and well-priced. Her natural & gloss finishes are just plain fun to design with.
Recently, before placing my Spring order, Charlene challenged me to make her a necklace that could match multiple pendants. At first I thought- ‘ah, piece-o-cake.’ But then, I find out she wears only short necklaces- 15.5″ (gulp.) And that she wanted them to match interchangeable pendants (2x Gulp). Of varying finishes/colors (3xGulp).
I wear short necklaces all the time, so no fear there. [After my 20th necklace breaking onstage when changing instruments, I finally learned. Of course, it always happened mid-show, the quietest part. I would fold up my accordion, slip it overhead to trade out with bass or ukulele, and POP! A tiny sound & 200 beads scattering across a wooden stage in 10 directions. The crowd always gasps as if I’ve broken an arm. ;-]
So short length means there isn’t a whole lot of space to be elaborate in the design, since what is visible in front- is less than half of the necklace. I studied Charlene’s new finishes, and tried several things. One is a finished piece but the rest can have pendants easily attached to front or back clasps. I just love her leaf details! The one on the far left is a dogwood design.
These are generously large pendants! We’re talking 3-4+ inches many of them. So If you like large focals- Charlene’s is the place to get them. I experimented w/ U and V shaped necklaces, and learned that unusually shaped pendants look great in the V-shape. Still trying different things- but stringing with large stone chips and pieces is looking right. I’ll post soon to my Etsy store.
Charlene makes lots of buttons, cabachons, links, cool bracelet links, sea creatures, leaves, and other amazing fun pieces, and usually shows us right away on her Facebook page here.
So stop by Black Mud Studio on Etsy or FB and see what Charlene’s kiln is cookin’ up!